The Cantina
lots of images....... Please be
patient
There were six of us who helped
Stuart
Freeborn create the characters for the main
unit shoot of the Cantina sequence, filmed at EMI Studios England in
late 1974.
Graham
Freeborn - Stuart's son, who modeled many of
the creatures. Graham was the mainstay of Stuart's team, constantly
creating new things in short time frames. His ideology was "simple,
quick and effective" He modeled many of the creatures and applied the
prosthetics to Dr Evazan, the Ugly who fought with Luke and Obi Wan.
He was a great friend but he died too young and never received the
attention that he deserved.
Charles (Charlie) Parker - A legend in his own right, renowned for his artistry, Charlie was also a composer and screenwriter. He contributed to numerous effects movies including the incredible work on A MAN CALLED HORSE (which he designed) and 2001 (where he was involved with the creation of the apes). Charlie joined STARWARS to model the Uglies prosthetics and he applied them to Wuher, the Barman.
Chris
Tucker - Who later went on to acclaim with
ELEPHANT
MAN and
COMPANY
OF WOLVES. If I remember correctly, Chris
started out at Madam Tussaurd's Wax Museum in London. Although we got
our union cards on the same day
Chris was 10
years or so older. He somehow got away with assuming an air of
superiority (in a good humored fashion) and always called me "Young
Nick". His passion was prosthetics (and opera) and he quickly
established a MFX studio supplying pieces (prosthetics) to film and
television companies. On STAR WARS he created Ponda Baba, that weird
looking character who starts the quarrel with Luke (which had no name
at the time) and the ill fated praying mantis creature. Chris is very
tall and I remember he paid a lot of attention to the attractive
alien ladies on the left.... who were both over 6'.
Kay
Freeborn - Stuart's long suffering wife, (its
not easy to live with us MFX guys, we all have obsessive
personalities). Kay flitted between the set and the workshop. Most of
her duties were with the preparation of the actors and being on
"stand by" but her presence was always felt in the workshop too, (and
she expertly executed the most important task of all......... Making
sure Start got his lunch!)
More photos
Sylvia
Croft - Who helped make teeth and assemble
items when she wasn't needed on the set.
And me, Nick Maley. - This was my first big Creature Effects movie. I worked with Graham in the foam lab and eventually took over most of the foam latex work. I made vacuum formed eyes for many heads, modeled hands and applied the prosthetics to Dannik Jerriko, (my first on screen prosthetics), the Ugly with the bubble pipe. I also worked with Graham making molds, artworked many creatures, and from time to time helped Stuart with the construction of Chewbacca.
This wide angle shot (known as a master shot) shows many of the characters we created for the main unit shoot.
In the
light of the huge success of Star Wars it's hard to believe that they
only allowed us 12 weeks to prepare for the Cantina sequence. During
that time Stuart was deeply involved with creating the
Chewbacca
mask (which was designed utilizing unique
principles derived from the
2001
apes) so the weight of the task fell on the rest of us.
You have to remember
that Star
Wars was just
another movie until it became
STAR
WARS and it wasn't until the film was being
edited in post production that the backer's realized they had a
blockbuster on their hands. Then they released extra cash to allow
for inserts to be added to the sequence. In the USA, (when main unit
shooting was complete), a young sidekick of the great
Dick
Smith had recently started his own MFX house
and was hired to make the additional for second unit creatures. His
name was
Rick
Baker.
Nick ......
.....
.....
Click here if you want to know who played what.
You shound also check out the background to the creation of the Star Wars caracters.
Nick's
CineSecrets®
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here
.......Nick's
Art Online
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